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120 GRUNGE BMP TEXTURES: Grunge Distressing Textures to Apply Opacity Masks to your Own Original Artwork and T-shirt Designs. Use BMP Textures to apply Grunge and Distressing Effects to your Artwork and Designs to use with the Transparency Panel and Opacity Masks for Adobe Illustrator. Great for t-shirt distressing using BMP Textures and Opacity Masks to show the garment color on your Own Original Artwork.

75 PAPER + 77 PAINT BMP TEXTURES: Paper + Paint Splatter Textures to use along with the Transparency Panel to create soft texture overlays for your own original artwork. This is great for those of you who are using Textures for Web, Print, and Social Media Sites. Use Textures with a combination of Color Swatches, Transparency, Blending Modes, and Clipping Masks to create a subtle texture overlay on your print or web exports.

145 CRACK BMP TEXTURES: Cracks and Distressing Textures to Apply Opacity Masks to your Own Original Artwork and T-shirt Designs. Use BMP Textures to apply Cracks and Distressing Effects to your Artwork and Designs by Applying Opacity or Transparency Masks for Adobe Illustrator. Created for T-Shirt distressing using your own Original Artwork and Opacity Masks to show through to the garment color. 

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Using BMP with a Clipping Mask (Draw Inside): Use a duplicated shape of your design to place the Texture (Inside). We will be using the Draw Inside feature in Adobe Illustrator to create an easy Clipping Mask. The first thing you will need is a duplicate shape of the area you are looking to place the Texture Inside. Click on the Shape and select "Draw Inside" on the Toolbar. File - Place Embedded your Bmp Texture. Adjust using Transparency Panel.

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Using BMP as Opacity Masks: This method of masking is used a lot for T-Shirt Design (using your own original artwork). The idea is to have the garment color shine through your own design. The Texture will not print but rather cut through your design to give a vintage or worn appearance. First select your finished design and the BMP Texture. Go to the Transparency Panel and click "Make Mask." Toggle Invert and Clip to get to the desired look.

HOW TO APPLY BMP TEXTURES

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Using Opacity Masks: Applying Opacity Masks is extremely user-friendly. Group your Finished Artwork. Scale and Center to fit your artboard. Place in BMP Texture. Scale to Fit over Artwork. Select All. Click "Make Mask" in the Transparency Panel. Click "Release" to change BMP Texture.

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120 Grunge Distressing BMP Textures: File - Place a BMP Texture over your finished Design (Group.) Scale to Fit Texture over your own Design using the Properties Panel or Scale Tool.

75 Paper and 77 Paint Splatter BMP Textures:  Select the BMP Texture and Group. Click "Make Mask" in the Transparency Panel. Toggle Invert and Clip to show the garment color.

145 Cracks and Distressing BMP Textures: Applying a BMP Texture with an Opacity Mask will punch through the Texture to show the garment color through your design.

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RESOURCE BUNDLE

200 ADOBE ILLUSTRATOR BRUSHES: Brushes are specifically designed for Illustrators and Cartoonists to speed up their workflow. Brushes Libraries allow for Pressure Sensitivity if you are using a Tablet for Inking your Line Variation. Apply with Pen, Pencil, Shapes, or Paintbrush Tools. Brush Libraries include 70 Cartoon, 100 Comic Strip, and 50 Vintage Mascot Brushes.

70 ADOBE ILLUSTRATOR HALFTONES. Halftones and Patterns Fills are designed for easy application even if you are new to Adobe Illustrator. Halftone Fills behave the same as a Color Swatch so you can apply them quickly using the Blob Brush, Live Paint, or Basic Fills. Halftones include 70 Comic Strip Halftone Fills and Pattern Fills.

400 ADOBE ILLUSTRATOR TEXTURES: BMP Textures are extremely easy to use even if you are a beginner to Adobe Illustrator. Simply File-Place the Textures over your finished artwork to use with the Transparency Panel for soft overlays. Use BMP Textures along with Opacity Masks for T-Shirt Distressing. BMP Textures include 145 Cracks, 120 Grunge Distressing, 75 Paper, and 77 Paint Splatter Textures.

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